In ULTIMATE CITIZENS, Jamshid is an Iranian who came to study in 1970’s America, and due to the Revolution, never went “home.” As a guidance counselor in Seattle Public Schools, Jamshid’s best work takes place out of the building and on a playing field with “his kids,” the children of refugees and immigrants. Their parents are in the grips of their own struggles to make a living and a home in a strange land. Mr. Jamshid is the charismatic, fiery, funny human with a Frisbee in hand, who is the first to show that "love wins" on the field, off the field, at home with family, or boldly forging a new community, in a new country - one kid, chicken, extreme mile and friend at a time.

Whether it be doing yoga with ants, printing with plants, observing the quantum physics of cats, or considering the travel of an apple: not all teachers are human in a bustling Spanish farmhouse.

Marginal Understandings is a poetic exploration of the American relationship to space, the soil, and ownership. While the drama of the European invasion and occupation of the American continent was justified as being the “destiny” of white people, there have always been alternative ways of living on the land, practiced by people who have been pushed to the economic margins.

Prayer of the Sea is an audiovisual elegy offering a calm perspective on the universal experience of passing.

As part of Olympic Colleges Prop 24 manifesto and inspired by the works of the Dogma 95 movement Love, Alice follows a surreal journey through trauma into forgiveness.

Demi-Demons is an essay film about the contradictions of contemporary existence, which separate us from our natural instincts, opening abysses within us. The glorification of the hermaphrodite, the hedonism of virtual realities, the search for new levels of physical attraction and forms of higher consciousness, ambivalence towards sexual reproduction, these abysses embody the existential struggles inherent in navigating the terrain between instinct and enlightenment in a rapidly evolving world.

Torii 鳥居 is a short film in the form of an audiovisual composition about the traditional Shinto gates of the same name in Japan. The film uses these gates which symbolically mark the transition from the mundane to the sacred as representatives of a personal synaesthetic and spiritual journey through five levels of consciousness, traveling from existentialism to metaphysics, abstraction, and the Shinto deities called Kami, culminating in a final transition that weaves together these diverse philosophical threads.

An Experimental short exploring technology and organic life.